Stripping for Pleasure

Jo King, founder of the London School of Striptease, believes the best way for a woman to develop confidence in her body is for her to learn to unveil themselves in an erotic yet elegant way. She is an expert having been a striptease artiste for twenty years.

She has tutored over a thousand women of all ages on how to perform this art since she established her school. Most come to learn how to strip privately for a husband or partner. Others come to improve their confidence.

Jo says that one single class will make any woman feel more seductive, sexier and more powerful. She teaches her pupils how to undress in elegance by using a number of steps.

Her first step is for the student to select suitable music for her provocative performance. She recommends that they choose three sensual tracks that appeal to the dancer, who will use the progress of the music to dictate the moves and suggest when to remove which garment.

Clothing comes next. Jo advocates clothes made from a sensuous material that can come undone and be removed easily. Among her suggestions are a white virginal dress worn over black underwear, turquoise lingerie under a black dress or a fur coat, covering a bra, suspender belt and stockings, won without panties. Some women like to unveil themselves in bare feet, though heels do give a better line to the legs and derriere.

Jo says that props are not necessary, but that a chair can prove useful for holding and bending over or just moving around. A feather boa can give confidence. The artiste can swish it around seductively, while thinking of their next move if they get stuck. Long gloves can be peeled off slowly in a really sinuous manner.

The dancer should start her performance with a pose in the centre of her space. Then she should move, shimmy, wiggle. Undulate up to the audience, then away. She should use all of her space and keep moving. The basic moves are bending the knees and using the body to describe a figure of eight movement and rotating the hips in a circular motion.

Bottom wiggling always has an erogenous effect. There are many ways of doing this, but the basic technique is to turn the back to the viewer, bend over, stick the derriere out and slowly wiggle it. It looks great from behind, whether the dancer is wearing a skirt or just her panties. It is even more lascivious if she is not wearing panties. Bottom wiggling helps the dancer, who is feeling nervous or is losing the plot. Just carry on wiggling.

Above all, keep the hands moving and keep the eyes following them Slide the hand up the arm and over the breasts. Glance up flirtatiously and slid a bra strap off the shoulder and back on.

Jo believes that a smile is the most provocative thing that a woman can have on her face. It beats a pout or licking the lips. Besides it is also the greatest and cheapest beauty aid. So keep smiling.

The dancer should end her routine with another pose to indicate that the performance is over. Jo advises pupils that the dance needn’t end when every garment has been removed. A women dancing while wearing a few clothes looks sexy. She looks really desirable when she dances completely nude.