Synopsis: Corinne lives an average teenage life working at her dad’s cafe, hanging out with her best friend, and trying to forget a falling-out with her almost-boyfriend Mason. Things take a strange turn when she uses her late grandmother’s food dyes for a bake sale, and her customers suddenly find her irresistibly alluring. Then she discovers she and Mason are haunted by the same dreams of a dark force that consumes everything in its path. 

Pursued by shadowy figures and a crazy woman with secrets from the past, Corinne must find out who her grandmother really was. In her quest to unravel her family’s history, she learns she is destined to protect this world–and the dark world of her dreams. She races to find the answers she seeks before her nightmares break free.

I loved this book. I devoured it, it was a plain speaking engaging read, and I felt like I was chatting to an old friend when I was reading it. I instantly loved the characters and storyline, and I can’t wait for the next instalment. The cover alone is worth a closer luck. A brilliant read, have no qualms about recommending this book to anyone!

There’s a video on YouTube showing a “freedom” fighter sodomizing Gaddafi with what looks like a wooden stick as he is being captured… disgusting and utterly ridiculous. Great way to lay the foundation for a new Libya…on murder and sodomy of an unarmed man…Gaddafi or not.

So the question must be asked… Should we be proud of the way we took Gaddafi out? Should we be celebrating his demise? Anyone who would support the way he met his end are obviously sick, twisted individuals. The fact that the US got involved without a constitutional declaration of War and didn’t even consult Congress leaves a bad taste in our mouths.

It was disguised as a humanitarian act to protect civilians. But the facts clearly show that that President Obama took Gaddafi’s words out of context and used them as an excuse to attack Libya in an attempt to remove Gaddafi from power. Gaddafi said “He would show no mercy to rebels but he would show mercy if the rebels gave up the fight, gave up their weapons”. So clearly, He had no intentions on hurting civilians… in fact; he wouldn’t even target rebels who surrendered. Does that sound like an evil man or did our government create an evil man by exaggerating his intentions? We know the answer to that already…

So in closing my fellow people and supporters… Just like that useless and pointless War in Iraq we entered another useless and pointless war with a much more disgusting end. Just like the War in Iraq, We were lied to yet again for the sake of Special interests. It’s time for our nation to stop meddling in the affairs of other countries and to stop being the world police! Our President is the President of the United States… Not the President of the World. A government that lies to its people and one that doesn’t have the best of interests for its people- Is a government ruled by criminals.

On the capture and Killing of Osama Bin Laden:
A: I’m glad we finally got him after all these years and got justice for the thousands of Americans who died a decade ago on 9/11. But to me, the way things went down was all wrong. Osama Bin Laden wasn’t killed… He was Summarily Executed~ something that as Americans, we should all be against. He should have been captured alive, given a fair trial and if needed… depending on the outcome~ Executed, just like we did with Saddam Hussein. The fact that our government has repeatedly lied to us about the exact way he died, just welcomes conspiracy theories. They said Osama was armed and that a small firefight erupted which led to his death, and then we found out… he was unarmed and contrarily to what’s been said… He did not use his Wives as human shields. All indications point to the fact that yes, he was captured alive then, summarily executed. Like I said before, I’m glad we got him… justice has finally been served but I do not agree with him being summarily executed.

Do Militants attack and bomb us because we’re free and Prosperous?
A: Absolutely not… I don’t believe that for one second, I believe they attack us and target us because we’re bombing them. I believe they’re targeting us because we’re invading they’re territory. If the latter were true… Why is it that we’re the ones being attacked and targeted while other free and prosperous countries aren’t? Maybe… If we stopped meddling in the affairs of others and quit bombing and invading the territories of others… and concentrate on our affairs and fixing our economy, then maybe… we won’t be a target.

-Author: Oscar Trejo Jr
-Speaker of the House

Oscar Trejo Jr is a Published Author whose most notible for his latest release titled “The Spellbound Heart: A Collection of Enchanted Poetry”. He is currently the Speaker of the House of Vanity Shades and a political Activist!

“The Spellbound Heart” can be purchased through:
http://product.half.ebay.com/The-Spellbound-Heart-A-Collection-of-Enchanted-Poetry-by-Oscar-Trejo-Jr-2011-Paperback/109361818&cpid=5000000490906

http://www.amazon.com/Spellbound-Heart-Collection-Enchanted-Poetry/dp/1462632572%3FSubscriptionId%3D0D2DHPR4QZK90GRWYP02%26tag%3Dporfessionalp7-20%26linkCode%3Dxm2%26camp%3D2025%26creative%3D165953%26creativeASIN%3D1462632572

http://www.publishamerica.net/product43409.html

http://www.barnesandnoble.com/w/the-spellbound-heart-oscar-trejo-jr/1104685271?ean=9781462632572&itm=1&usri=the+spellbound+heart

Websites:
http://vanityshades.yolasite.com/
http://www.facebook.com/Mysterious.Enigma24
http://twitter.com/OTrejoJr

^^^^Author and Speaker of the House: Oscar Trejo Jr

^^^”The Spellbound Heart: A Collection of Enchanted Poetry”

^^^Promotional Poster Featuring Author Oscar Trejo Jr along with his 3 published books!

For many children, Puff is the first dragon they learn about. The easy to remember and sing chorus makes him easier to remember than Smaug, in Tolkien’s The Hobbit, or the un-named fire-breathing monster slaughtered by Saint George.

Puff’s story / song is actually a very sad one, a reflection on the abandonment of childhood and our imaginary friends.

Puff is a happy, benevolent and friendly dragon, and particularly fond of autumn. He lives and plays in a land called Honah Lee, which is a coastal region.

A child called Jackie Paper, who brings Puff things to play with, befriends him and shows him interesting stuff including ‘string and sealing wax’(a reference to Lewis Carroll’s poem The Walrus And The Carpenter).

Jackie and Puff enjoy sailing, and everyone waved cheerily as their boat went by, kings and pirates alike. Puff would do the work, and Jackie stood on the dragon’s tail acting as a lookout.

Then, suddenly the fun ends. Puff goes to their usual rendezvous point one night, but Jackie Paper hasn’t turned up. Puff is deeply saddened. He is immortal, but children grow up, and eventually die.  The once happy dragon is now alone and abandoned. His roars of joy are no longer heard in Honah-Lee.

There are curious references to ‘Painted wings and giant rings’ being dumped in favour of other toys. This could suggest that Puff was simply a makeshift toy created by Jackie Paper, or this could be some hoome made model Jackie took to Honah Lee on occasion to show to the dragon.

Puff is so saddened by the inexplicable loss of his best friend that his scales start to fall off and he slips away quietly to his cave, forever broken hearted, never to be seen again

A lovely, but deeply melancholic song despite its cheery chorus. Puff is so unlike the violent flying dragons abounding in the fantasy works we read later in life. He is the abandoned forgotten friend left pining as we move on – a dream forgotten for other dreams. He is the lost magic and innocence of childhood.

The song gave a nickname to a US army gunship, the AC-47 because of its formidable fire power, though Puff is never described as breathing fire.  Many have tried to interpret the song as a drug-taking anthem, but it reflects only the tragedy of having to leave our childhoods behind.

Arthur, Chappell,

Hollmann said that ancient tablets found in Antioch, one of the major cities during the Roman empire, it contains a curse for a vegetable seller named Babylas. Curse giver asks the gods to bind Babylas, tortured soul, and eliminate it.

The curse is written on two sides of the tablets made ​​from tin was found. Text on one side contains a call to the God of IAI to bind Babylas. The other side asks a lot of gods to remove the tablet and eliminate it, followed by the same process for Babylas.

“The tablet also shows where Babylas life. All are designed so that the gods know exactly where to find it,” Hollmann said. The maker of the curse is not known, but presumably his business rivals.

Hollman assess the curse very seriously and have been common in the past dipratikkan. Tablets containing curse also found in Roman Africa, as well as throughout the Mediterranean region. Allegedly, the curse is based on magic books in circulation at that time and used for a long time.

Tablets containing the curse is found in the 1930’s. After that, along with other tablets from Antioch, these tablets are stored at the Princeton University Art Museum, the United States. Continued analysis performed on the tablets were found and finally one successfully revealed in this study.

The clergymen in Docs 1 and 2 form a minor group based on their religious beliefs. The account of Brother Giovanni di Carlo of Florence in 1468 (Doc 1) shows the goodwill and the generally positive expression of festivals in the late fifteenth century (“portrayal was…so good”, “It was truly lovely”). The Dominican monk expresses a pious, reverent attitude toward his subjects. The sons and father display morality and family ties so coveted by the teachings of the church during that time. In contrast, during the Protestant Reformation, Protestant priests such as Rusow (Doc 2) criticize the very existence of rituals and festivals, reflecting the ideals of Lutheranism at the time (“What disorder…idolatry took place there!”). Generally, the festivals originated religiously and spiritually but were later rejected by other clergymen such as Rusow and Protestants overall.

Objective commenters on the practice of festivals and rituals in Europe compose of the authors of Docs 4, 5, and 6. They are less biased in their point of view on the customs and thus prove to be more reliable. In Doc 4, Taylor censures the festivals developing in the early seventeenth century as opposed to the positive view in Doc 1 by referencing violence and a “quarrel breaking a thousand windows.” However, unlike the Lutheran pastor in Doc 2, he regards the festival as a condemnation and “contempt of justice.” Also in support of Doc 3’s satirical portrayal of a “Battle,” during the late sixteenth century festivals were disorganized and even vicious. Docs 5 and 6, although also written objectively, manifest more optimistic viewpoints than Taylor does. Lassels (Doc 5) procures a neutral but approving stance on the custom, while Bourne (Doc 6) wholeheartedly embraces the festivals in the early eighteenth century, emphasizing “equal freedom,” showing that the festivals are not as disorderly then in comparison to the ones observed by Brueghel and Taylor (Docs 3, 4). “The servant and his master are alike” and “they sit at the same table…without difference or distinction” portray the outgoing, socially equivalent nature of celebrations during the time period. Ironically, only half a century from the date of Bourne’s comment in Doc 6 (1725), American colonies would revolt against Britain for the same stated reason. The writers in these documents hold a number of and even polarized views, and although Taylor and Bourne both originate from the English Isles, they hold opposite views on the value of festivals and customs.

A third grouping of critique of festivals involves small-scale social reformation and stabilization in the forms of “charivari” and public punishment. Doc 7 refers to a minor but lengthy social protest recorded by a police officer, occurring two decades after the Napoleonic Wars. The demonstrators extend the principle of “charivari” beyond the local sense, using the local custom as a basis with which to build upon. Doc 8 explains the custom of “riding stang” (“charivari”) to a friend whom Gaskell might be more overt with in expressing her personal opinions, while Doc 9 calls for and recommends action against abuse. This is clearly a popular theme in the early nineteenth century as the theme has been incorporated into a song. In Doc 10 a woman picks berries too early in the year and is thus subject to public embarrassment and ridicule, and although written by an official, Doc 10 is generally factual and unbiased. The final documents show that in the later years, during the nineteenth century, the purpose of “festivals” was almost to edify the people and served as public punishment.

The transformation from religious custom to general celebration to local practice exemplifies that the traditional rituals and customs in Europe played a wide variety of roles over the centuries. Three main groups with varying but comparable opinions on the festivals include the early clergymen, the writers, and the locals. The religious and social customs, beyond affecting only Europe, affect both American continents as well, as Europe would colonize most of it. These festivals affected commoners’ lives to varying degrees.

I enjoyed this short story. A sexy wiccan woman is hired to help a werewolf find his mate, with the powers of her witchcraft and skills. When she meets him, she finds him desolate, haughty and worried. He is the Alpha leader of his pack and needs to find his mate to protect his pack’s future. The fertility of his underlings depends upon his finding love. The young wiccan woman does not know how to help the sorrowful, smouldering werewolf, but they soon realise his mate has now arrived….

Letting people leave the building one at a time, soon all that remain is the unlikely duo….and the werewolf still senses his newly sensed mate near him….

This story is a bite-sized, funny and quite racy little supernatural tale. I enjoyed it immensely and shall be checking out Hanson’s other works.

I picked up this book FREE on Amazon….grab it now!

Poor Captain Britain never really caught on before this groundbreaking story – He was a lazily composite mix of other heroes who just happened to be situated in the UK. He only had about thirty to forty adventures often in supplementary stories in magazines featuring the staple heroes such as The Hulk & Spiderman.

The central problem was that Captain Britain could have been anywhere and anyone. He might as well have been Captain Armenia, Captain Australia, Captain Cameroon, etc. The stories had few decent British characters or settings. People around Brian Braddock were just there to be gobsmacked when he flew by or saved them from the peril of the week. His commercial appeal was waning and he seemed destined to be scrapped and forgotten.

Dez Skinn set out to change the fortunes of Britain’s own hero, by rooting an adventure firmly in Celtic British mythical traditions and folk-lore, with greatly improved art-work. The result was The Black Knight quest for Otherworld, a Tolkien-derivative adventure with witches, wizards, elves and goblins galore.

The Black Knight is a genuinely intriguing figure, flying the skies on a Pegasus like winged horse called Valinor. We see him initially saving a crashing coast-guard helicopter on the Cornish coast, observed by a mysterious amnesia-suffering stranger, who we soon identify as Captain Britain.

The pair is soon attacked by various demonic entities unleashed by the evil Mordred, nemesis to King Arthur in the well-worn and trawled Mallory stories. Aided by a white witch (before Mordred turns her into a tree0, and a stranger known simply as The Walker (Aragorn in all but name), the heroes set off to find a mysterious magical realm called Otherworld, where Merlyn (a deliberate mis-spelling of Merlin), who will begin the process of identifying Captain Britain’s true origins and identity. Sadly, this is left for the next volume of the graphic collection, which gave space over to the Captain’s lesser adventures, the very stories deemed too weak to give him a long shelf life in the first place.

The Black Knight adventure is beautifully drawn and at times, genuinely intriguing, with odd touches, such as revealing who Captain Britain is even with no one really knowing for sure, and elves who are actually the size of dwarfs.

Ultimately, the revival worked, with the good Captain becoming more three dimensional, and enduring. Readers were buying the Hulk comics to see the man in red as much as the not-so-jolly green giant at work. The success lies in making the characters surrounding Captain Britain interesting and less stereotypical too, though Mordred seems to be little more than a nuisance villain who simply unleashes fresh menace every time the good guys beat the last one. Why he doesn’t turn the Knight and the flying hero into trees as he does with the witch is perhaps best not considered too deeply.

Arthur Chappell

Image by UggBoy♥UggGirl [ PHOTO // WORLD // TRAVEL ] via Flickr

In my live training sessions, I use a simple chart to present a four-part model in search of the answer. The first two are the ‘understanding’ factors. These are the variables – the specific things we need to understand about the particular negotiation at hand… for example, what we need to know about the nature of the proposition to determine the style of our negotiation, and what we need to understand about the range of likely outcomes to determine the steps in the process. I guess this represents the ‘method’ involved.

The ‘Understanding’ Factors (preparing the proposition for the people):

Style – preparing the information, doing the homework

Process – preparing the steps, determining the strategy

The second two are the essential communications ’skill’ sets. These are the constants – those interpersonal tools of ours that we need to keep sharp and ready to roll out in any negotiation… for example, our ability to intuitively read and deal with the people and relationship issues, and to effectively employ the appropriate interactive selling and presentation techniques. I guess this is the ‘magic’ component.

The ‘Skill’ Factors (preparing the people for the proposition):

Relationships – the people skills

Presentation – the dialogue skills

As we work our way through each of these quadrants via a case study or two, it very quickly unfolds that to be good at this business of negotiating, we need to accept that there is both method and magic involved, and that we need to get both right.

For Immediate Release:

Friday, November 11th, 2011

Lead singer of J-Rock group RIZE, Jesse McFaddin

Today, on November 11th, 2011 Jesse McFaddin announced the launch of his solo project in the North American market. Starting this week, he is releasing his latest track, GIMCRACK – a powerful electronic song that is the official anthem for the Formula 1 racing series in Japan. Jesse and his management team are pairing up with influential North American record pools to create various remixes which will then be released through those channels and made available for industry executives and DJs across the United States & Canada.

The GIMCRACK project is just a pre-cursor to Jesse’s bigger and more ambitious goal – STAND UP! FUND. STAND UP! FUND doesn’t refer to a charity event but rather a focus on encouraging creativity within the entertainment community – and aims to be the first of its kind. Jesse plans to create an eleven-track album that is entirely collaborative. Over the course of the next few days, Jesse will be releasing eleven new demo songs that will be available to download free for production teams interested in flexing their creative muscles and proving their abilities. During the next few months, Jesse will pick a user-edited version of each song that he likes, and then work directly with that production team to finalize the track. At the end of this production period, all eleven collaborative tracks will be officially released on major international platforms like iTunes, Pandora, Galaxie and more with the production teams receiving full credit for their contributions.

Jesse McFaddin is the lead singer and founder of the extremely popular Japanese rock group, RIZE. RIZE is a hard rock/metal band that has been around for eleven years with major accomplishments such as performing at Live 8 in 2005 and Live Earth in 2007, having their song “Zero” licensed by Coke Zero Japan/Asia, various songs used for PS2 games such as “BioHazard”, and have appeared live with NIN, Run DMC, Jay Z & Oasis. They toured in the US in 2003 on an “All American” tour with The Kottonmouth Kings, performing at 38 shows across the country.

Both the group, RIZE, and the lead singer, Jesse McFaddin, are major icons in the Japanese music and pop culture scenes, influencing music, entertainment and fashion by way of Jesse’s clothing line Slip&Co which will debut in the US in February 2012 at the influential MAGIC – s.l.a.t.e. convention.

For more information about Jesse McFaddin, Rize & STAND UP! FUND, visit http://www.triberize.net

For US/North American inquiries, interview requests & bookings contact:
Big Apple Style Marketing
Attn: Dorian Smith
Dorian@BigAppleStyleMarketing.com

For International inquires, interview requests & bookings, contact:
C.E. United, Inc/Official International Rep of RIZE & Jesse McFaddin
Attn: Cozy Mizoguchi
Cozy@ceu.co.jp